Enrico Baj, Composition, Variations Sur L'Imaginaire, Lithograph

Condition: Pre-Owned
Lithograph on vlin de Rives paper. Paper size: 14.5 x 10.75 inches. Excellent condition. Inscription: hand signed and unnumbered, as issued. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philippe Lebaud, diteur, Paris; printed by ateliers de Ren Guillard, Paris, March 15, 1972. Excerpted from the volume (translated from French), The circulation of this work from the collection Variations has been limited to 190 examples which are justified as follows: twenty examples on Japon Nacr, numbered from 1 to 20 to which was attached a suite on Rives des lithographies and an original gouache; thirty examples on Auvergne numbered from 21 to 50 to which a suite on Rives des lithographies was attached; one hundred and forty examples on Rives numbered from 51 to 190. A non-commercial example marked 0 was drawn for each of the employees of the edition. Completed on March 15, 1972, the edition was produced under the direction of Alain Bosquet and Philippe Lebaud with the collaboration of Jacques de Cornulier and Jean-Franois Fouquereau and the contribution of Pierre Jean Mathan for typography. The lithographs of Cremonini, Fred Deux, Delmotte, Hlion, Herold, Masson and Peverelli, were drawn at the workshops of Fernand Mourlot; the lithographs of Coutaud and Labisse at the workshops of Jacques Desjobert; the lithographs of Aillaud, Dufour, Ferrer, Man Ray and Monory at the workshops of Clot, Bramsen and Georges; the lithographs of Leonor Fini, Lamy, Lepri and Rohner at the workshops of Ren Guillard; the lithographs of Baj and Lunven at the ateliers de Michel Cass. The binding was executed by Jacques Ebrard based on a model by Paul Mc Lennon. The texts and lithographs bear the autographs of their authors.

ENRICO BAJ (1924-2003) was an Italian artist and writer on art. Many of his works show an obsession with nuclear war. He created prints, and sculptures but especially collage. He was close to the surrealist and dada movements, and was later associated with CoBrA. As an author, he has been described as a leading promoter of the avant-garde. He worked with Umberto Eco among other collaborators. He had a long interest in the pseudo-philosophy 'pataphysics. He made numerous works using motifs from other artists, from Leonardo da Vinci to Picasso. Sometimes he recreated entire works of other painters.
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