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Georges Braque, Composition (Vallier 153), Le Tir L'Arc Mis En Lumire Par Georges Braque, Lithograph
Georges Braque, Composition (Vallier 153), Le Tir L'Arc Mis En Lumire Par Georges Braque, Lithograph
Regular price
$3,559.50 USD
Regular price
$5,296.88 USD
Sale price
$3,559.50 USD
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Condition: Pre-Owned
Lithograph on vlin pur Chiffon Moulin papier Richard de Bas paper. Paper size: 9 x 6.5 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Le Tir l'arc mis en lumire par Georges Braque, 1960. Published by Louis Broder, Paris; printed by Crommelynck et Doutrou, Paris, March, 1960, in an edition of 298. Excerpted from the folio (translated from French), Printed in one hundred and sixty-five examples, signed by the artist......
Lithograph on vlin pur Chiffon Moulin papier Richard de Bas paper. Paper size: 9 x 6.5 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Le Tir l'arc mis en lumire par Georges Braque, 1960. Published by Louis Broder, Paris; printed by Crommelynck et Doutrou, Paris, March, 1960, in an edition of 298. Excerpted from the folio (translated from French), Printed in one hundred and sixty-five examples, signed by the artist......
Condition: Pre-Owned
Lithograph on vlin pur Chiffon Moulin papier Richard de Bas paper. Paper size: 9 x 6.5 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Le Tir l'arc mis en lumire par Georges Braque, 1960. Published by Louis Broder, Paris; printed by Crommelynck et Doutrou, Paris, March, 1960, in an edition of 298. Excerpted from the folio (translated from French), Printed in one hundred and sixty-five examples, signed by the artist, all on vlin pur Chiffon au la main Moulin d'Ambert, numbered 1 to 130, I to XX, and chapelle 1/15 to 15/15. Examples 1 to 20, and I to X are enriched with a series of original prints on papier nacr du Japon, numbered and signed by the artist. Apart from that, it was pulled, large-margin proofs, all justified by the artist. The cover has been drawn on Antaimoro paper. The printing of the text and the two original woods were provided by Fequet et Baudier. The draw of the eight lithographs were shot by E. et J. Desjobert; the original cover etching by Crommelynck et Dutrou. The stones were erased, the coppers and woods scratched. Printed in March 1960 in Paris.
GEORGES BRAQUE (1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
Product Disclaimer: Please review the full description and photos. Lithographs may be plate-signed, hand-signed, or slab-signed and can include a COA (see images); edition numbers shown may vary from the one shipped. Pricing reflects signature type—hand-signed pieces carry a premium and are clearly labeled. 'After' or 'nach' indicates an authorised lithographic reproduction in the style of the named artist, not a unique original. For inquiries, please reach out to support@seuyco.com. By registering for or placing a bid in any SEUYCO auction, you confirm that you have read, understood, and agree to our Shipping, Payment, and Auction Policies.
Lithograph on vlin pur Chiffon Moulin papier Richard de Bas paper. Paper size: 9 x 6.5 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Le Tir l'arc mis en lumire par Georges Braque, 1960. Published by Louis Broder, Paris; printed by Crommelynck et Doutrou, Paris, March, 1960, in an edition of 298. Excerpted from the folio (translated from French), Printed in one hundred and sixty-five examples, signed by the artist, all on vlin pur Chiffon au la main Moulin d'Ambert, numbered 1 to 130, I to XX, and chapelle 1/15 to 15/15. Examples 1 to 20, and I to X are enriched with a series of original prints on papier nacr du Japon, numbered and signed by the artist. Apart from that, it was pulled, large-margin proofs, all justified by the artist. The cover has been drawn on Antaimoro paper. The printing of the text and the two original woods were provided by Fequet et Baudier. The draw of the eight lithographs were shot by E. et J. Desjobert; the original cover etching by Crommelynck et Dutrou. The stones were erased, the coppers and woods scratched. Printed in March 1960 in Paris.
GEORGES BRAQUE (1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
Product Disclaimer: Please review the full description and photos. Lithographs may be plate-signed, hand-signed, or slab-signed and can include a COA (see images); edition numbers shown may vary from the one shipped. Pricing reflects signature type—hand-signed pieces carry a premium and are clearly labeled. 'After' or 'nach' indicates an authorised lithographic reproduction in the style of the named artist, not a unique original. For inquiries, please reach out to support@seuyco.com. By registering for or placing a bid in any SEUYCO auction, you confirm that you have read, understood, and agree to our Shipping, Payment, and Auction Policies.
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