Georges Rouault, Composition, Visages, Dix Tudes De L'Atelier Reproduites En Fac-Simils, Lithograph

Condition: Pre-Owned
Lithograph and stencil on vlin Chiffon de Mandeure paper. Paper size: 18 x 13 inches. Excellent condition. Unsigned, as issued. Notes: From the folio, Visages, dix tudes de l'Atelier reproduites en fac-simils, 1969. Published by ditions L'toile Pilante, Paris, and Atelier Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet, Paris, October 1, 1969. Excerpted from the folio (translated from French), This folio, produced in collaboration by les ditions "L'toile Pilante" and "Daniel Jacomet", has been completed to print, October 1, 1969. The boards were shot with the Daniel Jacomet Process, typography of l'Imprimerie Union in Paris. The portfolio is housed in Cartonnages Adine papier, and shot on vlin Chiffon de Mandeure in an edition of CDL examples, numbered from I to CDL, and non-commerce examples, numbered in roman numerals from I to L.

GEORGES ROUAULT (1871-1958) French painter, printmaker, ceramicist, and maker of stained glass who, drawing inspiration from French medieval masters, united religious and secular traditions divorced since the Renaissance. Rouault was born in a cellar in Paris during a bombardment of the city by the forces opposed to the Commune. His father was a cabinetmaker. A grandfather took an interest in art and owned a collection of Honor Daumiers lithographs; Rouault said later that he went first to school with Daumier. In 1885 he enrolled in an evening course at the Paris cole des Arts Dcoratifs. From 1885 to 1890 he was apprenticed in a glaziers workshop; his mature style as a painter was undoubtedly influenced by his work on the restoration of medieval stained-glass windows, including those of Chartres cathedral. In 1891 he entered the cole des Beaux-Arts, where he soon became one of the favourite pupils of the Symbolist painter Gustave Moreau, in a class that also included the young Henri Matisse and Albert Marquet. After the death of Moreau in 1898, a small Paris museum was created for his pictures, and Rouault became the curator. Among the major artists of the 20th-century school of Paris, Rouault was an isolated figure in at least two respects: he practiced Expressionism, a style that has never found much favour in France, and he was chiefly a religious painterone of the most convincing in recent centuries. Both statements, however, need qualification. Rouault was not as fiercely Expressionistic as some of his Scandinavian and German contemporaries; in some ways his work is a late flowering of 19th-century Realism and Romanticism. And he was not an official church artist; his concern with sin and redemption was deeply personal.
Product Disclaimer: Please review the full description and photos. Lithographs may be plate-signed, hand-signed, or slab-signed and can include a COA (see images); edition numbers shown may vary from the one shipped. Pricing reflects signature type—hand-signed pieces carry a premium and are clearly labeled. 'After' or 'nach' indicates an authorised lithographic reproduction in the style of the named artist, not a unique original. For inquiries, please reach out to support@seuyco.com. By registering for or placing a bid in any SEUYCO auction, you confirm that you have read, understood, and agree to our Shipping, Payment, and Auction Policies.