Kees Van Dongen, Montmartre (Juffermans Jl 34), Regards Sur Paris, Lithograph

Condition: Pre-Owned
Lithograph on vlin dArches paper. Paper size: 15.5 x 24 inches. Excellent condition, with centerfold, as issued. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Regards sur Paris, 1962. Published by Andr Sauret, Paris; printed by Mourlot Frres, Paris, January 22: 1963. Excerpted from the folio (translated from French), Original lithographs of Andr Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Marc Chagall, Dunoyer de Segonzac, Andr Masson, Pablo Picasso, Kees van Dongen, Jacques Villon. Printed completed on January 22: 1963 on the presses de l'Imprimerie Nationale de France, Daniel Gibelin, director. Georges Arnoult, inspector of typography. This work was composed by hand in characters called "Romain du Roi Corps engraved in 1699 by Grandjean on the order of Louis XIV, the original lithographies were drawn by Mourlot Frres, and the stones erased after printing. Justification of the draw; one hundred and eighty examples on a grand vlin d'Arches dcomposant as follows: ten examples, numbered to the press from 1 to 10, including a sequel on japon nacr, the original lithographies signed by the artists and a sequel on Arches; twenty examples, numbered to the press from 11 to 30, including a suite on Arches of the original lithographies; one hundred and twenty examples, numbered from 31 to 150; thirty non-trade examples, marked H.C., reserved for the authors, artists and artisans of the folio. All colophons are signed by the ten authors and the ten artists.

KEES VAN DONGEN (18771968), born Cornelis Theodorus Maria 'Kees' van Dongen (1877 1968) was a Dutch-French painter who was one of the leading Fauves. Fauves was coined by art critic Louis Vauxcelles for the group of artist that used bright colors. By 1905 he had left the influence of his training and symbolism style to become more controversial by exhibiting at the Salon dAutomne exhibit with a more radical form and color. His most important period is considered to be 1905-1920 where he focused on dancers, singers, masquerades, theater and all types of after-hours life. When he started to exhibit in Paris with Matisse, Derain, Marquet, Vlaminck, Camoin and Puy, he moved into a more avante-garde styling. Other artist that were moving to this form included, i Vlaminck, Friesz, Rousseau, Delaunay, Marquet, and Vuillard. These painters all felt the need to renew their methods of painting. Van Dongen (married to Augusta Preitinger by now) moved to Montmartre in 1906 where he was part of Pablo Picassos circle. He sold paintings, did sketches for a newspaper and held costume balls which he charge admission for all to make money. It was after the World War I that he started to create the lush colors of his Fauvist style. This helped cement a reputation in the upper class of France where he had a demand for his portraits. By 1959, Kees van Dongen was not living Monaco. Nine years later he would die. A large part of his work is held by the New National Museum of Monaco.
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