Salvador Dali, Pgase, Les Chevaux De Dali, Fac-Simile Signed, Lithograph (After)

Condition: Pre-Owned

Lithograph in colors on pur chiffon vlin dArches paper.

Paper size: 14.37 x 22.24 inches.

Inscription: Fac-simile signed and unnumbered, as issued.

Condition: Very good/excellent, consistent with age.

Notes: From the folio, Les chevaux de Dali, 18 lithographies de Salvador Dali, 1983.

Published by Armand et Georges Isral, diteurs, Paris; printed by Claude Jobin, matre imprimeur, Paris, 1983.

Excerpted from the folio (translated from French), This work was born in tribute to Dali.

He seed the horses and wanted to celebrate them in its own way: spurting, spontaneous and lightning.

Gargantuan of inspiration, spontaneity of composition and brilliance of graphics.

He certainly didn't have to look for which horses he was going to celebrate: They came to him, some from history, others from legend or reality, the latter humble or noble, from the workhorse to thoroughbred.

All of these lithographies constitute one of Dali's masterpieces.

Each of them is an example of the breadth of the qualities of the matre de Cadaqus, ranging from the acquired inherited from the classics to the inventions of modern painting.

Dali is more than a representative of surrealism: he is surrealism in person through his works and his vic marked by experiences where we had seen only the show, but which smoked his will to act and see as a surrealist, and of the eue in the eyes of all.

By this way, despite the appearances for some, because of them for others, Dali belongs to our time of technical perfection and exploration of reality.

Doesn't science prove that the complexity of this reality is infinite and that it does not live to our limited senses that an aspect related to our mind adds what it perceives and understands Surrealism is a way of exploration in a field where the technique is not yet, if not by an interpretation of its effects, but, then, the net shot launched into the surreal by the imagination is already a surreal operation.

But it is mainly because he is a great painter that Dali has his place among those who give themselves the mission of creating and enlightening.

They bring those who excel in art or science of their choice.

Justification of the draw of the edition was limited to M?CDLXXX examples.

The portfolio was made with the lithographs of series MMMI to M?IVCMLXXX, or MCMLXXX examples.

It includes the eighteen illustrations of Dali, with at the bottom right, Dali's signature on the board, the title of the work, and at the bottom left, the dry stamp of Georges Isral, as well as the copyright of the S.P.A.D.E.M.

The paper.

The lithographs were printed on pure cloth Vlin d'Arches pur chiffon, which not only guarantees a perfect impression when it is entrusted, which is the case, to highly qualified performers, but is also a guarantee of the conservation of the work and its lasting freshness.

The lithographies were shot on the presses of the master printer Jobin, in the format 50.5 cm x 36.5 cm (22, 24 in x 14.37 in).

Each illustration of Dali is made in mechanical printing according to the lithographic process consisting of printing, one drawing per color, one color per passage on the press.

Armand et Georges Isral. 1983.

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