Francisco Bors, Composition, Uvres Compltes D'Albert Camus, Lithograph

Condition: Pre-Owned
Lithograph on vlin d'Arches filigran paper. Paper Size: 11 x 8.5 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the volume, uvres compltes d'Albert Camus, 1962. Published by L'Imprimerie nationale, Paris, and Andr Sauret, diteur, Monte Carlo; printed by Mourlot Frres, Paris, April 26, 1962. Excerpted from the album (translated from French), This album, illustrated by Francisco Bors is the sixth volume of the edition of the uvres compltes d'Albert Camus, directed by Andr Sauret. It was composed la main avec une fonte nouvelle de romain du roi de corps 14 grav par grandjean en 1699 sur l'ordre de Louis XIV. The draw was completed on April 26, 1962 on the presses L'Imprimerie nationale, Daniel Gibelin being director, and Georges Arnoult, inspector of typography. The original lithographies were shot on the presses of Mourlot Frres. The justification and numbering only appear in the first volume. Justification of the draw: CC examples on vlin d'Arches filigran, "Albert Camus" numbered on the press from I to CC. Each of the VI volumes includesshot on japon nacr, a sequence of illustrations and an additional original lithography numbered and signed by the artist. I?V?DCCC examples on vlin d'arches filigran, "Albert camus", numbered on the press from CCI to V?, and some non-commercial examples reserved for the artisans of the edition. Compositions destroyed and plates erased after the draw.

FRANCISCO BORES (1898-1972) was an important figure of twentieth-century European art. His presence was important among the second wave of Spanish artists who arrived in Paris in the 1920s, which also included Pablo Picasso, Gins Parra, Pedro Flores, Antoni Clav; although in his own country he was not really recognized until well into the 1970s when aspects of his work that did not fit in with the dominant informalism and social realism were finally valued. The style of Bores was forged following his close contact with the greatest painters of the first Vanguard: Pablo Picasso and Henri Matisse. He admired their manner of constructing forms, classicism, and later the cubist explosion. Bores harmonizes these influences in his work, and goes beyond them. His artworks are showcased at the Museo de Arte Contemporneo in Madrid.
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