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Auction Ended: September 08, 2025
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Geer Van Velde, Composition, Suites N1, Lithograph
Geer Van Velde, Composition, Suites N1, Lithograph
Regular price
$806.88 USD
Regular price
$0.00 USD
Sale price
$806.88 USD
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Condition: Pre-Owned
Lithograph on vlin paper. Paper size: 11.2 x 19.1 inches. Excellent condition, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Suites n1, 1962. Published by Galerie Krugier et Cie, Genve; printed by Maurice Beaudet, Paris, October, 1962.
GEER VAN VELDE (1898-1977) was a Dutch painter. Van Velde was the second son of Willem Adriaan van Velde, then owner of a small case of inland waterway transport fuelwood and c......
Lithograph on vlin paper. Paper size: 11.2 x 19.1 inches. Excellent condition, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Suites n1, 1962. Published by Galerie Krugier et Cie, Genve; printed by Maurice Beaudet, Paris, October, 1962.
GEER VAN VELDE (1898-1977) was a Dutch painter. Van Velde was the second son of Willem Adriaan van Velde, then owner of a small case of inland waterway transport fuelwood and c......
Condition: Pre-Owned
Lithograph on vlin paper. Paper size: 11.2 x 19.1 inches. Excellent condition, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Suites n1, 1962. Published by Galerie Krugier et Cie, Genve; printed by Maurice Beaudet, Paris, October, 1962.
GEER VAN VELDE (1898-1977) was a Dutch painter. Van Velde was the second son of Willem Adriaan van Velde, then owner of a small case of inland waterway transport fuelwood and charcoal on the Rhine and Hendrika Catharina von der Voorst, illegitimate daughter of an earl. Catharina and her four children (Neeltje, Bram, Geer, and Jacoba) were abandoned by Willem Adriaan after the bankruptcy of his business, leaving them in misery. Moving frequently, they eventually settled in The Hague in 1903. In 1910, at the age of twelve, Geer became an apprentice designer in the firm with Schaijk & Eduard H. Kramers. Kramers encouraged Geer and his brother Bram van Velde to develop their interest in painting and funded both to a certain degree. The brothers moved to Paris; their experience of the 1925 Arts Dcoratifs exhibition had motivated the move. Geer rented his own studio in 1926. He had a close relationship to writer Samuel Beckett; their common friend, art patron Peggy Guggenheim, suggested it was a homoerotic relationship. Beckett bought some of van Velde's paintings and wrote about them.
Product Disclaimer: Please review the full description and photos. Lithographs may be plate-signed, hand-signed, or slab-signed and can include a COA (see images); edition numbers shown may vary from the one shipped. Pricing reflects signature type—hand-signed pieces carry a premium and are clearly labeled. 'After' or 'nach' indicates an authorised lithographic reproduction in the style of the named artist, not a unique original. For inquiries, please reach out to support@seuyco.com. By registering for or placing a bid in any SEUYCO auction, you confirm that you have read, understood, and agree to our Shipping, Payment, and Auction Policies.
Lithograph on vlin paper. Paper size: 11.2 x 19.1 inches. Excellent condition, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Suites n1, 1962. Published by Galerie Krugier et Cie, Genve; printed by Maurice Beaudet, Paris, October, 1962.
GEER VAN VELDE (1898-1977) was a Dutch painter. Van Velde was the second son of Willem Adriaan van Velde, then owner of a small case of inland waterway transport fuelwood and charcoal on the Rhine and Hendrika Catharina von der Voorst, illegitimate daughter of an earl. Catharina and her four children (Neeltje, Bram, Geer, and Jacoba) were abandoned by Willem Adriaan after the bankruptcy of his business, leaving them in misery. Moving frequently, they eventually settled in The Hague in 1903. In 1910, at the age of twelve, Geer became an apprentice designer in the firm with Schaijk & Eduard H. Kramers. Kramers encouraged Geer and his brother Bram van Velde to develop their interest in painting and funded both to a certain degree. The brothers moved to Paris; their experience of the 1925 Arts Dcoratifs exhibition had motivated the move. Geer rented his own studio in 1926. He had a close relationship to writer Samuel Beckett; their common friend, art patron Peggy Guggenheim, suggested it was a homoerotic relationship. Beckett bought some of van Velde's paintings and wrote about them.
Product Disclaimer: Please review the full description and photos. Lithographs may be plate-signed, hand-signed, or slab-signed and can include a COA (see images); edition numbers shown may vary from the one shipped. Pricing reflects signature type—hand-signed pieces carry a premium and are clearly labeled. 'After' or 'nach' indicates an authorised lithographic reproduction in the style of the named artist, not a unique original. For inquiries, please reach out to support@seuyco.com. By registering for or placing a bid in any SEUYCO auction, you confirm that you have read, understood, and agree to our Shipping, Payment, and Auction Policies.
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